banjo headstock identificationleap year program in python using for loop. 118 Midtown Ct # M Customers can choose from these shapes or provide an alternate. S3R3H, Like S3R, with 3-piece back, full herringbone binding, gold tuners. This was quickly reduced to avoid model confusion between the J-45s and the more expensive Southerner Jumbos. The system is not known for certain but might have restarted as consecutive numbers beginning at 1000. Mark Johnson; Regular Hours Mon-Fri: 10:00am-4:00pm Extended Hours January-April 8:30am-5:00pm; 239 West 400 North, Lindon UT; 801-785-3161 On rare occasions, some dates can be found on . 1970 onward: 1 piece maple. Music Love. ss stewart presentation banjo - Google Search.
Gator GL-BANJO-XL Banjo Light Weight Case - $50 (Lynnwood) The passage of time confuses matters even further: They made some non-SilverBell models that had been developed in the 1930s that bore the B&D label like the Seniorita, and some later Gretsch SilverBells that carried only the Bacon label. It's always made of hardwood such as ebony and makes up the front-facing top half of the banjo's neck. For example, the serial number 90237XXX corresponds to a production date of 1/23/97. Take your playing to the next level with the help of a local or online banjo teacher. Banjo not included or available. The aluminum shell was chrome plated with 24 chrome-plated brackets. It is important to note that there are exceptions to every rule and the following is only a general guide for identifying Gibson A Style mandolins. New Location:
You can buy the book here on Amazon and I would highly recommend it. MIDWEST BANJO CAMPJune 1-4, 2023New Manchester, IN
Headstocks say LoPrinzi. Lyon & Healy routinely used talon or patent 1897
Good size logs of spruce were government controlled during the war and were not easily available shortly after. If the fretboard was bound, they generally added a stripe of black under the side binding. See also: Gibson J-160E for more historical context. In late 1 the use of factory order numbers was discontinued. Augustino LoPrinzi Guitar Maker Clearwater Florida (LoPrinzi name bought back from AMF) Instruments designed and built by Augustino and Donna LoPrinzi (daughter). The story of how Greg Deering came to own the over 130 year old Vega trademark is one of childhood dreams and an unmissable opportunity. It became the working mans choice and one of the most enduring instrument designs in history. The banjo's fingerboard is where the magic happens.
ARIA BANJOS (1970s) banjos - guitar-list Take a closer look at the serial number found on the back of the headstock and reference the guide below. the teacher or distributor. The L-5S was the first high end jazz solid body guitar. The top and back bindings were black plastic with red line highlights. That being said, and allowing for the large numbers of prototypes and other Gibson anomalies, the following can be used s a guide to help get close to a proper model identification and its year of production. This is a strong playing. 2: The Histories of Cool Guitars". Gibson believed that these choices would allow them to focus on their more profitable lines. Blake507 - Posted-12/26/2013: 15:42:17. I have never seen one like this in person or even a picture of one. The Jumbo 55 (J-55) was introduce in late 1939 and discontinued in 1942. What's the history on the this jo, are you the original owner? For example: The custom series of Epiphone Texans built with cooperation from Paul McCartney: some were built in Bozeman Montana and some in Japan. The standard "Huber' shape, the popular "Double Cut" shape or the "Fiddle Cut" shape. It also had a black veneered headstock (front and back) and a black inlay in the back of the neck. Edited by - mikehalloran on 12/27/2013 17:30:00, Charles in SC - Posted-12/27/2013: 20:38:42. My understanding is that only 12 of these particular banjos were ever manufactured by Kay. S2R, size 2 guitar with East Indian rosewood back & sides, chrome tuners. Dimensions: 16 wide, 10 1/4 long and 4 1/2 deep. Factory Order Numbers (FON) in the 2800s to 2900s and 300s to 500s and some in the 600-800s and 1000s range. The tuners were individual. The 1975 price was $439. The soundboard was so large and the body so deep that the sound was immense. The appointments roughly followed the Southerner Jumbo but the design was primarily electric: it had a 3-ply top with ladder bracing to reduce the low-end response for the single coil pickup placed at the base of the fretboard. The focus of the site is antique and vintage banjos and mandolins, but there are . It worked. USA produced Epiphones of this era bear standard Gibson serialization and include the Made in USA stamp on the back of the headstock.
Headstock Shape - Huber Banjos 15 Mahogany top, back & sides no binding, 17 Mahogany top, back & sides bound top. I'm thinking it was made by the Iida folks for a NAMM show or something. Download Old Banjo stock photos. They were too late Gibson owned the market and the Martins were dropped 6 years later having only sold about 540 combined. The soundhole had an additional thick white purfling ring. There's a small snag in the outer pocket webbing - otherwise it's like new. There were 5226 made. ARCHIVED TOPIC: VINTAGE BANJO IDENTIFICATION. Manchester University, Instruction * ConcertsJams * More
All Rights Reserved. The numbers are preceded by letters: A, B, C, or D which indicate the series. Factory Order Numbers (FON) in the 2600s to 2700s. Steel Guitar. Tstyle of tuner lasts into early 1943 (FON 2221 last documented series with this tuner style), Late 1942 poplar neck blocks (Late 1942 FON 2119 with FON 2143 being the last documented series with mahogany neck block.). Mid to late 1944, the neck block revert back to mahogany, though poplar is occasionally used. The following are a rough guide. The Mark Series, though not a wild success in terms of overall sales, did sell reasonably well. Jul 15, 2021 - A study of banjo head peg heads. All Rights Reserved. There were 1229 made. This is the smallest model, chrome tuners. 1976 $929 In June of 1976 the price rose to $999, and two new finishes were added: tobacco sunburst and natural maple. It is the only typical American (USA) instrument, starting off as an instrument of the African slaves, then via the Minstrel Shows becoming part of typical American music styles like Jazz, Dixieland, Bluegrass, etc. It was available with a brown finish and came as a snakehead or paddle headstock. The neck was a broad round profile single piece mahogany with a bound coffewood fretboard and dot markers. Like all other companies, there are exceptions. ARCHIVED TOPIC: Vintage Kay Company Banjo - Need Help Identifying Model, Please note this is an archived topic, so it is locked and unable to be replied to. Sometimes a higher model number means a bigger and fancier instrument but there does not appear to be a thoughtful of consistent method for ascribing model numbers. The bridge was a small rectangular block type with a through saddle. Gibson started making banjos in 1917. Similar to A, but with double purfling on the soundhole. Since that day in 1989, Deering has breathed new life into the Vega name, blending over a century of tradition with Deering's banjo building expertise, to create a range of heritage rich open back and longneck banjos that are as integral to the modern folk . They were now able to get better materials. The A.C. Fairbanks Company (incorporated 1875) was succeeded in 1903 by the Vega Company (established 1889). Serial number records exist for instruments built before 1975 and after 1980. The swing of a lathe is measured as the total diameter of a finished turned piece, such as a wood bowl. The Southerner Jumbos were the most expensive flat-top guitars Gibson offered at the time. The exceptions were in 1979/1980 when the very fine Flying VII and active Les Paul Artist models were available; both were between $50 and $100 more, and were deleted almost as quickly as they dbuted. If the serial number is legible the instrument can be relatively easy to date. A total of 2,477 J-35s were made according to Gibson records. During the Folk Boom of the 1960s, Gretsch produced a line of 5 string open back banjos with regular and long necks. In general, the Larsons used fancier hardware on the more expensive instruments so the date of the hardware should coincide with similar instruments of the period. Thanks for the feedback! Notable endorsers of this model include Leon Redbone. 428 Geared pegs, reinforced neck & high nut, MYNNN or MYNNNN Month = 1-9 with 3 or 4-digit production number, MMYNNN or MMYNNNN Month =10,11,12 with 3 or 4-digit production number, # 41122 would have been made April 1971, #122, #121131 could be made in either December 1971, #131 or January 1972, #1131, #221 could have been made around 1907 or in the early 1940s, #2121 could have been made around 1913 or 1914, the late 1940s or February 1971, #21, #31121 could have been made in the early 1931 or 1932, 1960 or March 1971, #121. A flourish inlay under The Gibson in the headstock. In any event, these should be used only as a guide and not assumed to be absolutely correct. 1955: Gibson stopped scalloping the bracing it was faster to produce but not as strong. The bracing for the new larger models was X braced: there were 3 transverse tone bars between the braces 1 more than the Martin as Gibson experimented with bracing design heavy enough to support the large tops and light enough to be resonant and responsive. CONTACT US; Headstock Shape. Depending on the selected source, there is disagreement about these numbers. It took Gibson 2 years to develop their response: The Jumbo of 1934. Dark stained plain birch back and sides. Martins 1st steel string: 1922, 18 Mahogany body after 1917, no volute on headstock, 40 Rosewood body, MOP top & soundhole but not neck base, 41 Rosewood body, MOP top & soundhole but not neck base, 1969+ D-only, 42 Rosewood body, MOP top, soundhole & neck base but not sides, 45 Rosewood body, MOP top, soundhole, neck base & sides, S (1967 on) 12 fret neck, slotted headstock, Dyer (1906 1923?) The first Gibson J45 guitars were only slightly different from the discontinued J-35. The headstock had a black wood face veneer. The more economical Student Grade instruments were often ladder braced. Identify vintage banjo fleur de lis inlays on headstock & carved heel . LG-0 | Introduced 1958 | Discontinued 1973, LG-1 | Introduced 1947 | Discontinued 1968, LG-2 | Introduced 1942 | Discontinued 1962, LG-2- | Introduced 1949 | Discontinued 1962, LG-3 | Introduced 1946 | Discontinued 1963, B-25 | Introduced 1962 | Discontinued 1976, FJ-N | Introduced 1963 | Discontinued 1970, F-25 | Introduced 1963 | Discontinued 1970, B-15 | Introduced 1967 | Discontinued 1970, Brazilian rosewood rectangular through bridges, 2 screws in the bridge with MOP dot covers, Basically the same as LG-1 with a mahogany top, Single plastic tortoise shell binding top and back, Narrow neck design with 14 degree headstock angle, Same basic guitar as LG-2 with average wood, Wood imperfections covered by a dark sunburst, Tall scalloped braces change to low-profile rough cut, Enlarged rectangular bridge with closed slot, Fire striped plastic pickguard teardrop shape, Last use of the Banner decal on headstocks, Basically the same as an LG-2 with better materials, Bottom belly rosewood bridges with adjustable saddles, Back, sides and neck finished in walnut stain, Body shape: 16 wide, round shoulder dreadnought shape, Top: Select spruce, 2-piece bookmatched with scalloped X-bracing, Neck: mahogany, single piece, unbound, 19 fret, dot markers, Bridges: Rosewood belly-down. 14" resonator on the banjo examined is probably non original (Korean).
How to Survey the Neck to Identify a Great Bluegrass Banjo English mandolin banjo, by cuckoo, circa 1900s, of typical form, 'Cuckoo' imprinted on the headstock, 55 cm long American Orpheum mandolin banjo , by Rettberg & Lange, no. Nice playability, great tone, strong low end and good sustain all the way up the neck.
Mando-banjo identification [Archive] - Mandolin Cafe Forum There can easily be more numbers within each year listed. A simpler variation on the SJ-200 with fewer appointments and a lower price tag was the SJ-100. These were Gibsons first flat-top cutaways. beautiful banjo. George Youngblood of Youngbloods Music Workshop. The headstock shape is very similar and it has the hexnut . The first two digits tell you the month the banjo was built, the last two digits before the dash or space will tell you the year, and the numbers . The original partners were Fred and Cassie Bacon and Mr. and Mrs. Oliver Winship. The soundhole size coincided with the overall size of the instrument. They had dot markers on the fretboard and a moustache bridge with individual adjusters on each string. The Mark Series guitars had 16 3/16 lower bouts with very narrow waists, and a headstock like no other in Gibson tradition. Western movies were tremendously popular and the singing cowboy heroes needed instruments as big and bold as untamed West. 1974 $895 This was the best sales year for the L-5S shipping 555 instruments. During the period of 1909 through 1920 Gibson produced large numbers of mandolins. This is a "fit-all" banjo case. Deering.
Fairbanks & Vega banjos, Dating & Identifying - Mugwumps Gibson TP-6 tailpiece became standard. For example: B&D had several un-numbered models between 1913 and 1920. At the time, the Nick Lucas model was the largest flat-top Gibson offered. In some cases, teachers would purchase these instruments and put their own names on them, but in many other cases they carry no identifying name at all. For example: Gretsch stopped production of Bacon and B&D banjos. David L. Day was in his 70s. Saga. It was basically a slope shoulder dreadnaught like a J-45 or Southerner Jumbo and designed for the country and western market. It was the innovations of the Loar period: 1921 through 1925 that saw the introduction of the truss rod, adjustable bridges, bracing adjustments, thinning and grading of the tops and numerous other refinements to create the standards that are still used today. These digits should match the 4 digits found on the back of the peghead of your banjo. They were mahogany back & sides with single layer binding front and back. The electronics cover on the back was matching solid figured maple. tailpieces (see fourth row of pictures below) on many of their unmarked banjos, and their
Wyatt Fawley's banjo, model for the "Retrotone" banjo design : 1949 : 3399-86 -100 : 1-piece: Dots : I/N Auction 2/2007 with flathead ring from 1963 RB180 and 1959 RB100 neck : 1949 : 3399-90: RB-150: . The Gibson stamped on tailpiece cover. Like the SJ-100 of the same year, the J-55 had a stair-step headstock that persisted for only 2 years. 1973 $895 L-5S a few instruments shipped and cherry sunburst is the only available finish. Research our price guide with auction results on 40 items from $35 to $2,928. 156137I know this is a mandolin forum, but the admins suggested I start here. 1975 $899 The first catalog appearance of the L-5S was in the 1975 Gibson Solid Body catalog. Maybell was a Slingerland brand name. There is a utility market though. The L-series is very difficult to properly identify and date as they were inconsistent in their appointments and the catalog descriptions do not always agree with the actual instruments produced. There are no manufacture's labels or stamps on it. G Edward Porgie - Posted - 06/16/2021: 14:40:30. I have to say that it is most interesting. $ 5,719.00 $ 5,149.00. It appears that many mandolin owners of earlier models chose to upgrade their bridges to the fancy new adjustable models after 1921. The name evolved from De Luxe Jumbo to Super Jumbo in 1939, and then to the Super Jumbo 200 (reflecting the price at the time, the case would be $28 extra).
How to ID vintage Gibson banjos? - The Unofficial Martin Guitar Forum Serial Search - Gibson Martin introduced the large body dreadnaught in 1932 It was bigger, bolder, and louder than anything Gibson had to offer. Other similar details include: single-cutaway body, ebony fingerboard with block inlays, flowerpot headstock inlay, L-5 tailpiece with contrasting silver on gold with L-5 engraving (changed to TP-6 in 1978) and multilayer body binding throughout. The examples weve seen vary from the Gibson catalogs quite a bit. It marked the beginning of a new era for Gibson. To most people all banjos look (and sound) the same. The USA distributors in the 60s and 70s used their own serial number systems and we do . Hard-case rugged and gig-bag light! Other attempts by Gibson to make-do with the materials available to them include laminated maback and sides finished in a dark mahogany stain and a few were built with a laminate maple back and a mahogany top. Hand Engraving. Bottom belly ebony bridge with pyramids on the wings, Silk-screened script @ 15 degrees +/-: The Gibson, 3 on a plate open gear tuners white or black buttons, Top and body becomes all mahogany amber finish, Extra bridge pin centered below 6 in a line, L-0 Flattened lower bout increased to 14, Reintroduced as the least expensive Gibson flat-top @ $25, Body depth 3 ? at the neck and 4 3/8 at the heel, Pearl dot makers and double dots on the 12th fret, Old script silk-screened diagonal logo: The Gibson or just Gibson, Some striped tortoise plastic pickguards after 1933, Some bright white plastic pickguards after 1933, L-00 introduced as Gibsons lowest price flat-top @ $37.50, Small round amber area of sunburst just below the soundhole, Striped tortoise plastic pickguards added, Dot position markers on the fretboard edge, A few with banner logos decals on the headstocks, Light amber top Sheraton brown back & sides, Old script silk-screened diagonal logo: The Gibson, Flattened lower bout increased to 14 (possibly, Soundhole, bridge and bracing moved to compensate, Similar to the L-00 but with heavier braces, Pearl dot fretboard markers double on 12, Gold sparkle inlayed around top & soundhole, Tailpiece adjustable bridge option discontinued, Speckled celluloid pickguard added as an option, Some had 2 top braces under the fingerboard extension vs. one, Rosewood fretboard rectangle inlays at 3, 5, 7, 9, 12 & 15, Pearl diamond inlays in the rosewood rectangles, Gibson pearl diagonal headstock inlay in rosewood, in Pearloid, Pearloid headstock veneer replace with rosewood, Bound headstock, pearl Gibson, pearl truss rod cover and notched diamond inlay, No headstock binding, black truss rod cover and elongated diamond inlay, Body depth 4 at the neck and 4 5/8 at the heel, Brazilian rosewood pyramid bottom belly bridge, The Gibson pearl angled logo inlayed on headstock, Nick Lucas Special white label with picture of Nick Lucas, 14 fret neck to body joints (phased in by this time), Trapeze tailpiece with adjustable bridge option.
292 Old Banjo Stock Photos, Images & Pictures - Dreamstime The following versions evolved quickly to 14 frets clear of the body. Late 1940's "i" touches the "G" on "Modern" non cursive/script Gibson Logo. set of identifying characteristics can be found at
They were available in steel string or classical. Mid 1921 through late 1930s: larger base with 2 feet, 3/8 adjustment wheels and wooden compensated bridge top. J-L. M. N-P. Q-Sch.
How to Identify the Five-String Banjo - dummies banjo headstock identification This was adapted to the mandolin over the next few years. Tuners, hardware and tailpieces were probably purchased from Lyon and Healy who had a factory just down the street from the Larson shop. MK-53 models were maple back & sides, rosewood fingerboards with dot inlays & nickel hardware. string peg perch is typically carved out from the side of the neck as shown
There is a steel tone ring on the maple rim, and the rim has a maple cap. The Southerner Jumbo (later shortened to: Southern Jumbo and then SJ) was a fancier J-45. The last of the Mark Series was built in 1979. FLC, Flamenco guitar with Canadian cypress back and sides, friction pegs (machine heads on some examples). Worthy of mention is the Jumbo Deluxe, though it is believed that only 3 were ever made in 1938. This makes up for the shallow break angle, and also does away with string trees, which are not needed in this case. They were popular with the Cowboy Singing Stars like Bob Baker (National Barn Dance WLS). serial number impressed to verso, 60 cm long Neck: mahogany single piece. These appear to be the easiest to find and quite reasonable to buy. A head on a long neck open back banjo might sound completely different on a 12-string banjo.
Banjo Identification No Name Models - Mugwumps Ss. Example: S3021234 = Samick Korea / 1993 / February . The strings are tightly wound at the headstock so the banjo player can form cords along the fingerboard. target no need to return item. Information gathered from many sources but there are a few that need to be acknowledged: Dan Beimborns original Mandolin Pages web site and later contributions to the Mandolin Archive.
Build Your Own Huber Banjo | HuberBanjos.com At least then you will know the model name. Some banjo . Leland Brilliantone (1910 1918?). middle-sized, chrome tuners. Gibson had changed its neck profiles and headstock shape on the successful J-Series. Most
Mid 1950s: the pickguard changed from the teardrop to the larger undulating shape like the pre-war J-35s. Sha-Sw. T-V. W-Y. Our 19th Year * Sign Up Now
That way I'll be sure to hear it, since I will get a heads up when you post. An entire bin was a "lot" and would contain purchase these instruments and put their own names on them, but in many other
In 1923 it appears that Gibson began to assemble A-2s with left-over blonde tops from A-3s. 1934 was in the depth of the depression, and at $60 without a case, most families put food ahead of guitars. I doubt you'll find this in a catalog. Acoustic Guitars. B-series Factory location: Grand Street, New York City from 1972 to 1973. The bracing was revised to accommodate the moustache bridge and generally heavier than earlier models. The bass of this model will amaze you, and of course the clear brilliant treble is in perfect balance. For once, the hyperbole may have been closer to the truth. I visited his place once when I was kid (probably mid - late 1970's) and his finished basement was filled with guitars, banjos, lots of different instruments. The public seems to have favored this shape over time as it fetches better prices now. 1921 onward: Metal 90-degree pickguard support screwed into the body and additional screw to the neck. Yes, paging Scott to the Collector's Corner, please. Then Gibson developed the adjustable bridge. New guitars were supplied with user applied pick guards, and extra saddles of different heights that could be easily inserted to adjust the string action to accommodate the swelling of the instrument with seasonal humidity changes. They had owner applied pick guards and multi-bound backs and tops (including red line highlights). They were the J-45 and the Southerner Jumbo. Collector's Corner
Due to the plain marks on the bracing, it is believed that every top was tuned by the same Gibson employee. Sunburst finish changes slightly: a cremona brown fading from the center amber to a reddish brown perimeter. However there were and are many different types, most of which can be found on this page. banjos. They are essentially an Advanced Jumbo with minor compromises: they filled a gap between the J-35 and the J-55. Heads have different effects on different kinds of banjos. There were 2 tone bars and a treble side X brace with a 102 degree angle about 1 below the 4 soundhole. GB -- guitar banjo. There were some 1 3/4 nuts available. Sunburst was the only finish available for the J-45 until much later as the sunburst finish can hide flaws in the wood; this was a significant advantage during WW2 when clear wood was being used for the war effort. In 1941 the fretboard became Brazilian rosewood. Cherry Sunburst is still available. The tuners cogs are peened on the shafts (the peening sometihas a waffle design). Never seen one with an inlay on the back of the neck. Frets refers to the number of frets that are clear of the body. During the war years women played a greater role in manufacturing while young men were fighting overseas. George Gruhns Guide to Vintage Guitars by George Gruhn and Walter Carter. The 1975 price was $549. Pearl dots on fretboard. The Gibson Company was formed in late 1902 and the early mandolins evolved from the original Orville Gibson designs. I own the book and have found it to be an invaluable resource in identifying these old guitars. Like everything else connected to instrument identification issues - there are many exceptions. 2005-2023 acousticmusic.org. See the notes below. In some cases, teachers would
F Style mandolins have a carved nautilus shaped curl on the upper left-hand bout. Materials and methods of production were reviewed and revised. Each type of banjo head has a unique contribution to your banjo's tone. 30, 1909. The promotional material in the Gibson catalog of 1934 said: This greater body size produces a heavy, booming tone so popular with many players who do vocal and small combination accompaniment for both personal and radio appearances. The neck was basically the neck stocks from the L-5 archtop: 3 ply maple with single wide bound scalloped fretboard ends and headstocks and the early models had the L-5 flowerpot inlay on the headstock. If you count the plies in the rim it is about 12 or 13 which is what I have seen in a lot of Asian banjos. If you have additional information or corrections, please contact us. These appear to have a unique serial number scheme. Timing is everything In 1969 the Gibson parent company: Chicago Musical Instruments (CMI) was acquired by the South American brewing conglomerate: E.C.L. and What's it sound like? ARIA 921C. In fact, he was part of a team of scientists paid as consultants by Gibson for their input on a project to create the finest sounding guitar based upon sound scientific logic, theory and research. Late 1930s through 1942: ? adjustment wheels 2 feet and extensions on top of the base for the wheels. Features: Carved curly maple body, with ornate multilayer binding, laminated maple neck, ebony fingerboard with abalone block inlays, gold-plated hardware throughout, two gold plated pickups with separate volume and tone, three-way selector switch. Modern Gibson Logo open "b" and "o". 1890s into 1907: Inlaid into the top of the instrument. Saga Bella Voce 70/80.
Aria Banjo Identification - mainefasr The introduction of a truss rod cover to the headstock caused the inlay patterns to adjust as well. First published as a folk music magazine in 1971 by Michael I. Holmes before going online in 1997, Mugwumps is a no-frills, highly informative site that's packed with well-written articles, detailed photographs, and historical ads of old instruments and parts. The necks were 1-piece mahogany V shape with a Brazilian rosewood fretboard at 12 radius. Between 1975 and 1979, Gibson worked with Dr. Michael Kashas acoustic theories for guitar and Luthier Richard Schneiders design applications to create a unique instrument for the Gibson acoustic lineup. There were 1424 made. Gibson needed to revitalize its lineup of flat-top guitars the LG-Series was born. 1923 into 1970: 1 piece mahogany necks.
VINTAGE BANJO IDENTIFICATION - Discussion Forums - Banjo Hangout Late 1930's Thicker Gibson Logo. For sale for $50 cash, firm. There are also examples of A-2Zs without the Z on the lable but still sporting the black perfling line. The grade of top wood was tighter grained. 1979 $1149 Antique Sunburst added to Fireburst, Cherry Sunburst and Natural.
banjo headstock identification - voxu.group